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    Joachim Braun

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    • Music In Ancient Israel Palestine

      $37.50

      Preface
      Illustrations
      Abbreviations
      Tables

      INTRODUCTION
      Geographical, Chronological, And Cultural Parameters
      Sources
      Musical Instruments In The Bible
      Meaning
      Classification
      The Instruments
      ‘ Aseberoim
      halil
      hasosera
      kinnor
      mena’an’im
      mesiltayim, Selselim
      nebel, Nebel ‘asor
      pa’ Amon
      qeren Hayyobel
      opar And operot Hayyobelim
      top
      ‘ugab
      Instruments In Daniel
      Collective Expressions – Typological Terminology
      Terminology In The Psalms And Unresolved Questions
      Instruments In The New Testament

      THE STONE AGE
      (12th Millennium-3200 B.C.)
      Natufians (ca. 12,000-8000 B.C.)
      Syncretism Of Work, Cult, Adornment, And Sound
      The Chalcolithic Period (ca. 4000-3200 B.C.)
      Music In The Dumuzi Cult
      The Appearance Of The Harp

      THE BRONZE AGE
      (3200-1200 B.C.)
      Dance With Lyres And Drums
      The Lute
      Egyptian-Canaanite Music – Gods And Musicians
      Music In The Symposium
      Clay Rattles: Mass Music – Mass Cults – Mass Culture
      The Priests’ Bronze Cymbals
      The Megiddo Flute

      THE IRON AGE
      (1200-587 B.C.)
      Female Drummers In The Israelite-Judean Kingdom And Surroundings
      From The Sacred Female Double-Reed Blowers To Male Double-Reed Players
      Lyres In Solo And Ensemble Performance
      Pottery Drawings
      Seals
      Musicians And Dancers Of The Philistine And Phoenician Coast
      Conch Trumpets
      The Mystery Of Absence, Or An Argumentum Ex Silentio?
      The Babylonian-Persian Period (587-333 B.C.): An Interlude

      THE HELLENISTIC-ROMAN PERIOD
      (Fourth Century B.C.-Fourth Century A.D.)
      Apotropaic Bells
      Idumean Hunting And Mourning Music And The Jewish Temple Trumpets
      The Nabatean-Safaitic Culture
      Instruments Of Avant-Garde Professionals And Conventional Folk-Musicians
      The Cult Of Dionysus
      Musical Instruments In Samaritan Areas
      Musical Instruments As Symbols Of Cult, State, And Identity
      The Shofar: Tool Of Sound And Ritual, Symbol Of Faith And National Identity
      Bibliography
      Index Of Subjects And Names
      Index Of Scripture References

      Additional Info
      PRINT ON DEMAND TITLE

      This book contains the first study of the musical culture of ancient Israel/Palestine based primarily on the archaeological record. Noted musicologist Joachim Braun explores the music of the Holy Land region of the Middle East, tracing its form and development from its beginning in the Stone Age to the fourth century A.D.

      This is not a study of “music in the Bible” or music in “biblical times” but a unique, in-depth investigation of the historical periods and cultures that influenced the music of the region and its people. Braun combines significant archaeological findings – musical instruments, terra cotta and metal figures, etched stone illustrations, mosaics – with evidence drawn from written (mainly biblical) texts and anthropological, sociological, and linguistic sources.

      The portrait Braun assembles of this past musical world is both fascinating and innovative, suggesting a reconsideration of many views long accepted by tradition. Enhanced with numerous illustrations and photographs that bring the archaeological evidence to life, this exceptional work will be a valued resource for scholars, students, and general readers interested in the history of music, biblical studies, Jewish studies, and the cultures of the ancient Near East.

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